So, that plan of updating from the road while shooting in Montana? That didn’t quite pan out for a couple of reasons.
One is that AT&T has absolutely zero service in Glacier National Park. Couldn’t call, couldn’t e-mail – nothing. (Which was beneficial, in a way – while it’s fun to occasionally hit Facebook with the Good Morning sunrise photo, it helps to stay locked in).
Second was that I had forgotten how much work a trip like that can be. It’s more rewarding than any day in any office, but being up and focused pre-sunrise to post-sunset makes for a long day.
So here are some thoughts from the trip in the usual day-by-day breakdown format. (Most recently, that was used for the trip to Italy.)
Getting to Glacier National Park was pretty straightforward – one hop via United to Denver, then a second hop to Kalispell, MT. If you’re headed to Glacier, it’s easier to skip downtown Kalispell and fuel up on gas and food in Columbia Falls.
Driving into the park is an experience. From the flat area around Kalispell, the road snakes into a mountain pass before rising into some rolling foothills. The road rises gradually before diving to Lake McDonald, where we started the trip.
My workshop was led by James Kay Photography, and included some brilliant photographers: Carrie LaPow, Claudia O’Grady, Michael Blanchette and Lynda Holman. With Carrie’s daughter and Claudia’s significant other along, we had a varied and interesting group of people. Jim and Susie Kay are wonderful photographers in their own right, and did a great job keeping the troop organized and moving along.
After meeting at the Lake McDonald Lodge, where we spent our first two nights, we went out and photographed a nearby fast-moving creek that emptied into the lake. It was a good trial run for us to get a feel for each other, and for me to get a feel for the gear I rented.
The lenses – a 16-35 Zeiss 2.8 and a 70-400 zoom, both of which I’ve rented and used before – worked like a charm. One of the lessons I had taken away from my last trip was getting a more reliable, sturdier tripod than the $50 Sony I had been using. To that end, I rented an Induro tripod with a Kirk BH-3 ballhead.
The tripod immediately ran into problems, as a joint on one leg refused to completely go back together after being extended. Luckily, I was able to hobble along for the rest of the trip with only two joints that could extend. (Jim offered to lend me his tripod, but I didn’t want to damage anything else.) BorrowLenses.com did issue me a partial refund for the tripod, too (not a full, since I was able to use it.)
So with a slightly red face – because really, who wants to be the kid whose toys break on the first day? – I took up shooting the stream with the others, and we captured some nice extended exposures.
Little did I know that this would become a week of photographing water practice…